Photo: Joan Marcus
By Brian Scott Lipton
Applauding the set, clapping when an actor enters the stage, and the obligatory standing ovation are among my biggest pet peeves on Broadway, but they all seem perfectly understandable when it comes to “The Cottage,” Sandy Rustin’s decidely crowd-pleasing faux-English drawing room comedy, now debuting at the Helen Hayes Theatre under Jason Alexander’s steady-as-she goes direction. Continue Reading...
