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Featured Shows
A Doll's House, Part 2 A Doll's House, Part 2
To paraphrase an old show-biz saying, the sequel is rarely the equal. So anyone expecting Lucas Hnath’s “A Doll’s House, Part 2,” now at the Golden Theatre, to have the psychological power and insight of… [more]
Anastasia Anastasia
What young girl (or grown woman) hasn’t dreamt that she’s actually royalty? That fantasy is one reason the story of Anastasia Romanov – the daughter of the last Russian tsar, and who may or may… [more]
Can You Forgive Her? Can You Forgive Her?
Women have making tough decisions about the price of independence, financial and otherwise, for a couple of centuries, and this timeless topic is explored anew in Gina Gionfriddo’s “Can You Forgive Her?”, now premiering at… [more]
Ernest Shackleton Loves Me Ernest Shackleton Loves Me
The engaging and original comic musical “Ernest Shackleton Loves Me,” now at the Tony Kiser Theatre, is definitely a respite from some of the recent sub-standard adaptations of popular films and books littering the theatrical… [more]
Hello, Dolly! Hello, Dolly!
Early in the first act of Jerry Zaks’ ultra-exuberant revival of the classic 1964 musical, “Hello, Dolly!”, now at the Shubert Theatre, a realistic-looking train (one of Santo Loquasto’s many colorful sets and costumes) appears… [more]
Indecent Indecent
Whether it’s prescience or coincidence, Broadway is definitely experiencing theater in the age of Trump, from Lynn Nottage’s Pulitzer-Prize winning “Sweat” to fellow Pulitzer winner Paula Vogel’s harrowing new work, “Indecent,” now at the Cort… [more]
Miss Saigon Miss Saigon
Loud. Action-packed. Crude. No, I haven’t switched careers and begun reviewing Marvel movies; these same adjectives apply (unfortunately) to Laurence Connor’s bombastic revival of the 1990s megahit “Miss Saigon,” now back at its original home,… [more]
Natasha, Pierre & The Great Comet of 1812 Natasha, Pierre & The Great Comet of 1812
Who is that doughy, bespectacled guy playing the accordion in Natasha, Pierre & The Great Comet of 1812? It’s bestselling recording artist Josh Groban as you’ve never seen him before, making his Broadway debut in… [more]
Oslo Oslo
With recent American airstrikes aimed at Syria and suicide bombings having become a seemingly everyday occurrence, our hopes for true peace in the in the world seem to dwindle by the hour. But perhaps, just… [more]
Pacific Overtures Pacific Overtures
Pomp and grandiosity have been replaced by simplicity and lucidity in John Doyle’s stunning new production of Stephen Sondheim and John Weidman’s landmark 1976 musical “Pacific Overtures,” now at Classic Stage Company. Unquestionably, those familiar… [more]
Six Degrees of Separation Six Degrees of Separation
At a time when our nation is rigidly divided — racially, politically, economically — John Guare’s Six Degrees of Separation reminds us of our connections. Trip Cullman’s revival is bumpy at times, but affecting performances… [more]
Sunset Boulevard Sunset Boulevard
Glenn Close commands the stage as she reprises her Tony-winning turn in Sunset Boulevard, 23 years after the Andrew Lloyd Webber musical first came to Broadway. Her Norma Desmond is as ferocious and fragile as… [more]
Sweeney Todd Sweeney Todd
Apparently, Stephen Sondheim, who wrote the lyrics to “You Gotta Get a Gimmick” way back in 1959, is fine and dandy with the admittedly brilliant gimmick that has led, nearly 60 years later, to the… [more]
The Little Foxes The Little Foxes
In any theatrical season, a revival of Lillian Hellman’s 1939 family drama, “The Little Foxes,” would be welcome. Hellman’s play is a remarkably well-structured work, full of complex (if primarily less-than-likable) characters, and fully stocked… [more]
The Play That Goes Wrong The Play That Goes Wrong
Drinks are spewed across the stage, actors knocked out by swinging doors. Props aren’t what or where they’re supposed to be, and the set undergoes a violent deconstruction. We’re in the knockabout world of British… [more]
The Whirligig The Whirligig
Everything revolves around Julie, both literally and figuratively, in Hamish Linklater’s ambitious and moving new play, “The Whirligig,” now being given a top-notch production by director Scott Elliot and The New Group at the Pershing… [more]
Venus Venus
The Signature Theatre Company’s exploration and re-examination of the career of Suzan-Lori Parks continues with director Lear deBessonet striking revival of the writer’s 1996 Obie-winning play “Venus, which is dominated by a brilliant performance by… [more]
War Paint War Paint
Helena Rubinstein and Elizabeth Arden were beauty-industry pioneers, yet the new musical War Paint doesn’t make their lives dramatically alluring. Thankfully, Patti LuPone and Christine Ebersole, playing the rival cosmetic impresarios, command the stage as… [more]