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&Juliet
Not every musical can survive the replacement of its Tony-nominated leading lady or feel fresh on its second viewing. But not every musical proves to be “&Juliet,” the thoroughly enchanting “jukebox musical” now at the… [more]
Aladdin
Casey Nicholaw has proven more than once over his career that he knows how to create a truly show-stopping moment on stage (just think of “Show Off” from “The Drowsy Chaperone”), but the talented director-choreographer… [more]
Angry Alan
“It’s a Man’s Man’s Man’s World,” James Brown may have told us in 1966. However, Roger, a former corporate hotshot turned grocery store employee coping with a bitter ex-wife, an estranged son, and a “liberated”… [more]
Boop! The Musical
To quote the title of its act one closer, there is something to shout about throughout the new Broadway tuner “Boop! The Musical,” now at the Broadhurst Theatre, and her name is Jasmine Amy Rogers.… [more]
Buena Vista Social Club
In our topsy-turvy world, I am not sure I agree with the proclamation made in the “Buena Vista Social Club” that “there’s nothing a song can’t fix.” But should any question persist whether “music is… [more]
Cabaret at the Kit Kat Club
What good is sitting alone in your room when you can be ensconced at the Kit Kat Club, or more accurately the extensively renovated August Wilson Theatre, now home to Rebecca Frecknall’s reconceived version of… [more]
Call Me Izzy
It’s really no coincidence that the title of Jamie Wax’s monologue, “Call Me Izzy,” now onstage at Studio 54 under Sarna Lapine’s capable direction, makes you recall the opening line of Herman Melville’s “Moby Dick.”… [more]
Chicago
For much of its 20+ year run, the Broadway revival of the brilliant John Kander-Fred Ebb musical “Chicago” at the Ambassador Theatre has attracted new audiences by bringing in a rotating series of superstars from… [more]
Death Becomes Her
In a Broadway season where every current musical – even the best of then -- seems slightly unsure at times about what it wants to accomplish, “Death Becomes Her,” now at the Lunt-Fontanne Theatre, has… [more]
Goddess
It seems only fitting that if you’re creating a musical called “Goddess,” you would cast Amber Iman in the title role. So it’s no surprise that the regal-looking, statuesque actress with a mesmerizingly smoky voice… [more]
Gypsy
As has been frequently noted, conquering the role of the domineering stage mother Rose in the 1959 Arthur Laurents-Jule Styne-Stephen Sondheim musical, “Gypsy,” now at the beautifully renovated Majestic Theatre, is the musical theater equivalent… [more]
Hadestown
Usually, I only tell my enemies to go to hell, but, right now, I’m making an exception. Friends, countrymen, whoever –get thee down to the Walter Kerr Theatre where Anais Mitchell’s incredibly moving and melodic… [more]
Hamilton
History is made, in more ways than one, in “Hamilton,” the consistently thrilling, often groundbreaking new musical by Lin-Manuel Miranda that has landed at Broadway’s Richard Rodgers Theatre after an award-winning run earlier this year… [more]
Harry Potter and the Cursed Child
Yes, Virginia, there’s finally some real magic back on Broadway! Fear not, even in its “slimmed-down” one-part version, Jack Thorne’s “Harry Potter and the Cursed Child,” a continuation of J.K. Rowling’s multi-book saga, still has… [more]
Heathers
What’s your damage? After a Monday evening performance of the Off-Broadway musical “Heathers,” now at New World Stages under Andy Fickman’s clever direction, I was afraid my damage was shattered eardrums from the excessive shouting… [more]
Hell's Kitchen
Being able to brilliantly straddle the line between (semi)autobiography and a universal coming-of-age tale is just one of the many achievements of the vibrantly exciting new musical, “Hell’s Kitchen,” now at the Shubert Theatre. Expect… [more]
John Proctor is the Villain
High school often prepares us for the real world, although not necessarily via the subjects we’re taught. Algebra and chemistry really can’t compete with the complexities of friendships, the multi-layered interactions –good and bad –… [more]
Just in Time
Without question, there are few more thrilling words an audience can hear these days than “Ladies and gentlemen, please, put your hands together and welcome to the stage... Jonathan Groff!”
Still, this phrase momentarily causes… [more]
Lights Out
Paul Simon told us there are 50 ways to leave your lover, but I’m still not sure there are that many ways to do a “bio-musical.” Still, it’s hardly surprising that visionary artists Colman Domingo… [more]
Maybe Happy Ending
There are many secrets to crafting the successful rom-com, but none is more important than nailing the main couple’s initial “meet cute,” which is just one of the many things that Will Aronson and Hue… [more]
MJ
If there’s ever been any question that Michael Jackson was one of the greatest singer-dancers that pop music has ever produced, the new biomusical “MJ,” now at Broadway’s Neil Simon Theatre, simply refutes all doubters.… [more]
Moulin Rouge! The Musical
As any Francophile can tell you, red is the signature hue of the new Broadway megamusical “Moulin Rouge,” now at the Al Hirschfeld Theatre. It’s prevalent in many aspects of Derek McLane’s extra-extravagant set, Catherine… [more]
Oh, Mary
If those who do not learn history are doomed to repeat it, those who do learn it are able to create hilarious theater -- as is proven by “Oh, Mary!” now occupying Broadway’s Lyceum Theatre… [more]
Operation Mincemeat
Let’s face it: for decades, anything has been fair game these days as the source for a musical, from “Les Miserables” (based on Victor Hugo’s historical mega-novel) to “Heathers” and “Clueless” (based on “cult” classic… [more]
Pirates! The Penzance Musical
Still a staple of community theater and a few smaller companies, the operetta-like works of W.S Gilbert and Arthur Sullivan are rarely presented anymore as Broadway fare -- despite their easily digestible (if slightly convoluted)… [more]
Purpose
Just as all unhappy families are unhappy in their own way, so are their houses, as proven by the ones for many recent shows at Second Stage’s Hayes Theater, from the semi-shabby Southern “plantation” populated… [more]
Stranger Things: The First Shadow
Many people agree with the age-old maxim that “too much of a good thing is still a good thing,” But when it comes to “Stranger Things: The First Shadow,” now making its Broadway premiere at… [more]
Sunset Boulevard
We’re back to that famed boulevard of broken dreams but things look very different today on “Sunset Boulevard” (now at the St. James Theatre) than they did in the last two Broadway incarnations of this… [more]
The Book of Mormon
Traditional in form and style, but subversive in content, the new musical, “The Book of Mormon,” is a no-holds-barred extravaganza rife with irreverence. Its creators, Trey Parker and Matt Stone, of “South Park” fame, and… [more]
The Great Gatsby
Just as Jay Gatsby, the millionaire at the center of F. Scott Fitzgerald classic novel “The Great Gatsby,” believes that an excessive show of wealth signals that he’s made it in 1920’s Long Island society,… [more]
The Lion King
The most successful of Disney's screen-to-stage adaptations benefits greatly from Julie Taymor's masterful staging, complete with bigger-than-life puppets who bring the African wildlife to life. The story of the young lion cub who must succeed… [more]
The Outsiders
At the end of “The Outsiders,” both S.E. Hinton’s groundbreaking 1967 novel about teen class warfare in Tulsa, Oklahoma and the faithful and very satisfying musical adaptation now open at the Jacobs Theatre, there is… [more]
Wicked
This very entertaining if dangerously overstuffed musical tells the "true story" about how poor misunderstood Elphaba (Shoshanna Bean) became the Wicked Witch of the West, and how she and good witch Galinda (Jennifer Laura Thompson)… [more]
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